Based on the unbelievable true story, Harmony tells the tale of the most successful entertainers you’ve never heard of. . . . until now. In the 1920s and 30s, The Comedian Harmonists sold millions of records, made dozens of films, and sold out the biggest theaters around the world. Their heavenly harmonies and musical comedy antics catapulted these six talented young men from singing in the subway tunnels of Berlin to international superstardom. What happened next is the story of Harmony. Directed and choreographed by Tony Award winner Warren Carlyle, this timely and captivating rags-to-riches story lost to history comes to dazzling life with a sensational cast of Broadway favorites.
However, the musical—music by Manilow, book and lyrics by Sussman, directed and choreographed by Warren Carlyle—only makes an occasionally compelling case that the Harmonists (Ari Leshnikoff, Erich Collin, Erwin “Chopin” Bootz, Robert Biberti, Harry Frommerman, and Cantor Josef Roman Cykowski, aka “Rabbi”) should be better remembered by history. The unevenly staged Harmony is a shakily constructed set of misfiring elements, whose most compelling beats around Nazism, Antisemitism, and bigotry—all points resoundingly and rightly made—feel imposed and didactic rather than flowing naturally from the source material.
Zien’s wealth of experience is paired with exciting young talent. Five of the Harmonists are making their Broadway debuts, and all of them are tremendous singers. And, most poignantly, the show’s forceful rallying cry against anti-Semitism and for peaceful coexistence is relevant and movingly reverberates. How depressing it is to remember that the very same thing was being said last season about the musical “Parade” and Tom Stoppard’s play “Leopoldstadt.” The problem is that while “Harmony” is about a sextet of singers whose voices blend like milk and coffee, its elements do not similarly fuse into a cohesive and satisfying musical. The show, directed and choreographed by Warren Carlyle, has been tinkered with by Manilow and lyricist/book-writer Bruce Sussman for nearly 30 years, but on its largest stage yet it still doesn’t quite work.
Rush Tickets:
18@18
Price: The first 18 rush tickets will be available to purchase for $18.00 each.
Where: Barrymore Theatre (243 West 47th Street) box office.
Limit: One per customer.
Restrictions: Seat locations for this program vary and may be available in all sections of the theatre.
Digital Lottery:
Price: $49
Where: https://rush.telecharge.com/
When: The lottery will open at 12 AM on the day before the performance closing at 3 PM the day before the performance. Winners are drawn at 10:00 AM and 3:00 PM
Limit: Two per customer
Information: Seats may be located in any section of the theater. While every effort will be made to seat pairs together with a full view, there is a chance that pairs may be split up and that your seat may have a partial view of the stage. Winners will be notified by email shortly after each drawing and have five hours to claim and purchase tickets online. Tickets will be emailed.
1997 | Regional (US) |
World Premiere Regional (US) |
2003 | Regional (US) |
Regional Production Regional (US) |
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama League Awards | Outstanding Production of a Musical | Harmony |
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