Review: THE PRICE at Irish Classical Theatre
by Michael Rabice - Apr 21, 2024
Something wonderful has taken to the stage at Buffalo ‘s Irish Classical Theatre, as Arthur Miller’s THE PRICE is being presented in a near perfect production. This seldom produced play may sound somewhat stilted in it’s formality of language, but the story continues to be captivating, all these years after it’s 1968 Broadway premiere.
Review: STALIN'S MASTER CLASS at Odyssey Theatre
by Amanda Callas - Apr 19, 2024
Stalin’s Master Class is enthralling, darkly funny, awkward, and thought-provoking about the eternal tension of politics vs art, censorship vs thought, modern art vs people’s tastes, groupthink vs ingenuity, and popularity vs quality.
Interview: Theatre Life with Katherine Goforth
by Elliot Lanes - Apr 19, 2024
Today’s subject Katherine Goforth is someone who can definitely be called a breakthrough artist to be sure. She is the inaugural recipient of Washington National Opera’s True Voice Award for transgender and non-binary singers. She will be making her Kennedy Center debut on May first at 6:00pm with a recital on Millenium Stage.
Human Race Theatre Company Reveals 2024-25 Season
by Stephi Wild - Apr 17, 2024
The season features five productions, combining fresh and favorite works, all showcased in the unique style of The Human Race Theatre Company. Learn more about the lineup here!
Review: OPHELIA at the Odyssey Theatre
by Melissa Heckscher - Apr 14, 2024
Anything that makes you think is worth watching. And so Ophelia — in all its memory lapses and uncomfortable places — is worth it. Just bring a friend so you have someone to help you put the pieces together when it’s all over.
Interview: Megan McGinnis of BEETLEJUICE National Tour
by Melissa Heckscher - Apr 15, 2024
BroadwayWorld spoke with Broadway alumn Megan McGinnis about coming back to SoCal, doing an exorcism in front of her 7-year-old son, and keeping a straight face while acting alongside Justin Collette’s Beetlejuice.
BroadwayWorld's Olivier Awards 2024 Predictions
by BWW UK Critics - Apr 10, 2024
The 2024 Olivier Awards are fast approaching on April 14. Ahead of one of the most exciting nights in theatreland, our critics – Aliya Al-Hassan, Mica Blackwell, Alexander Cohen, Katie Kirkpatrick, Kat Mokrynski, Gary Naylor, Kerrie Nicholson, Matthew Paluch and Christiana Rose share their thoughts about who and what will triumph on the night, as well as who should twin each category.
Review: THE OUTSIDER Charms at the MATCH from MIGHTY ACORN And WCO PRODUCTIONS
by Brett Cullum - Apr 4, 2024
Part of the genius of THE OUTSIDER is it is pure farce. Characters and plots are played larger than life, and doors constantly swing open with new surprises behind them. We’re not in the sturm and drang of THE WEST WING, but rather the territory of a silly sitcom like VEEP. Physical comedy, verbal banter, and just plain stupid stuff happens, and this cast is up to the challenge of delivering all of it. The director has found some of Houston's funniest, most likable actors.
Cast Set For MUCH ADO ABOUT NOTHING at Shakespeare's Globe
by Stephi Wild - Apr 4, 2024
Shakespeare’s Globe has announced the cast of Much Ado About Nothing, directed by Associate Artistic Director Sean Holmes (The Comedy of Errors, Globe), with Ekow Quartey and Amalia Vitale as Benedick and Beatrice.
HEDDA GABLER Opens at Coal Mine Theatre Next Month
by Stephi Wild - Apr 3, 2024
Following the company’s first World Premiere production of DION: A ROCK OPERA last month, COAL MINE THEATRE will conclude the 23.24 season with another first – the staging of a European classic.
Blog: My Time at Atlantic Acting School
by Atlantic Theater Company - Apr 2, 2024
On the eve of my first night of evening conservatory classes, if you had asked me to articulate what my expectations were for the year ahead I’m not sure I could’ve given you a coherent answer.
Review: FREUD ON COCAINE at Whitefire Theatre
by Amanda Callas - Apr 2, 2024
In its second hit run at the Whitefire Theatre with many sold out shows, this historical comedy-drama is unbelievable but true, laugh-out loud hilarious, and brilliantly thought-provoking.